UPDATE:
Finally, the Washington Post reveiw. Briefly:
Boy nurtures nascent talent, boy suffers primal loss, boy meets girl, boy meets drugs, boy loses girl, boy kicks drugs, boy gets girl, boy is redeemed. From "Ray" to "Beyond the Sea" to last week's "Get Rich or Die Tryin' " and now "Walk the Line," each has hit exactly the same notes, with only a slightly different order or permutation.
Huh, no mention of The Chin. Curious. I guess the word "mutation" made me think it was coming.
The other chief problem in "Walk the Line" is the performances. Although Phoenix eventually succeeds in disappearing into Cash the way Spacek did into Loretta Lynn, Witherspoon never once lets viewers forget that they're watching her and only her. She may have it in her to be a good dramatic actress, but she might have been better advised to try a smaller canvas before tackling such a monumental role.
Or maybe, just maybe, it's That Chin. It always interferes with the willing suspension of disbelief.
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